cover art by Olivier Schopfer

Poetry

Krysten Hill | "Girl Breaking Glass", "Wasps", and "Daffodils"

Noor Ibn Najam | "abaya for Ramadan 2018" and "for giving a body"

Caitlin Conlon | "/näˈstaljə, nəˈstaljə/"

Kyle Marbut | "The Night Shift"

Khalypso | "The Sound of Us is Dead" and "On Chronic Pain (The Little Mermaid)"

Clair Dunlap | "In case you’ve never seen a sand dollar that’s still alive"

Emily Alexander | "Instead of Sleeping" and "How to Make the Perfect Grilled Cheese"

Nancy Lynée Woo | "I'd Rather Be Lightning" and "Approaching Petrichor"

Mehrnoosh Torbatnejad | "Ode to My Coffeemaker for Understanding My Depression" and "Depression is an American Mink"

Kaiya Gordon | "First Kiss After Assault" and "Mourning Painting"

Geoff Anderson | "Sand House" and "Pest Control"
​
Robin Gow | "four corners"
​
Mackenzie Berry | "My Mother Had Hands Before She Had Children" and "My City Saw the First Black Athlete Millionaire, Jockey Isaac Murphy, And Afterward the Winning Jockeys Were White"
​
Sylvan LeBrun | "the ladder of tyre"

​Maurisa Li-A-Ping | "6:29am, below sea level"

Art

Morgan Stephenson

​Angela Amias

Paula Izydorek

Qianqian Ye

​Julia Elizandro

Reviews

Emily Jaeger | The Evolution of Parasites

Shivanee Ramlochan | Everyone Knows I Am a Haunting

Melissa Jennings | Dear Judas

Maggie Nelson | The Argonauts

​​Art Review | Quietly Subversive: Revisiting the Life and Work of Gwen John (1876-1939)